This paper which is about dance structure is the summary of the author’s practical experience, and could be regarded as a kind of theoretical exploration on the dance structure. It is presented mainly from the perspective of dance creation practice. However, research approaches used here are certainly interdisciplinary. To be more specific, the study refers to the discussion of the drama structure, and also analyzes some famous dancing works as well as the researcher’s own works. To end, there comes an all-round summary of the dance structure in the way of combining theories with practice. As far as the researcher concerns, the forms of dance could be classified into two categories, the internal and external form. The internal form is the dance structure which always hides in the dancing works, while the external form refers to dance languages which can be seen or heard or perceived by others senses, such as the dance movement, costumes, stage design and music. This research is mainly aimed at the internal form of dance, that is, the discussion of the dance structure. The researcher hopes this study can bring at least the following three goals. First, in terms of the dance structure, the study can offer some operational methods that can be used for reference when dancers and choreographers create dancing works in future. Second, regarding the teaching of choreography, the study can provide much more abundant theoretical thoughts to enhance the teaching operability of choreography. Meanwhile, to instruct and inspire students in more effective ways when they are doing practical creation. Last but not least, the study is able to make a difference to the construction of the theory of dance forms.
Donglin Jia, National Taiwan University of Arts, Taiwan
Stream: Arts - Arts Theory and Criticism
This paper is part of the IICAHHawaii2017 Conference Proceedings (View)
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