Abstract
This paper explores how Korean Division Blockbusters, exemplified by the film Steel Rain, mirrors the shifting dynamics of ‘otherness’ on the Korean peninsula, showcasing the potential for peace between North and South Korea. It underscores the pivotal role of the Sunshine Policy in shaping an ambivalent yet humanized portrayal of North Korea in Korean Division Blockbuster. This paper will explore the ability of Korean cinema as part of Hallyu, the Korean Wave, to effectively capture the essence of South Korea’s ‘compressed modernity.’ It will be shown that Steel Rain employs cinematic narratives to envision reconciliation and challenge prevailing stereotypes. Also, this paper will unveils a pattern of hegemonic mimicry, where South Korea integrates hegemonic American culture with their local touch and context. This exploration will show how the intersection of glocalization, ideology, and nationalism in a divided Korea is framed by the Sunshine Policy and, in turn, articulated through cinematic media.
Author Information
Nadhira Asiyah Arrin, Perguruan Diniyyah Puteri Padang Panjang, Indonesia
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