Category: Performing Arts Practices: Theater, Dance, Music

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Recording of a Piano and Violin Duo: A Case Study to Explore Challenges and Opportunities of Recording During COVID-19 Pandemic

During crises, performing arts are usually the first discarded activities. This attitude towards performing arts has not changed much during the COVID-19 pandemic. Since the first instance was recorded in December 2019, COVID-19 has had a disastrous influence on the arts industry, causing cancellations and closures at thousands of arts organizations worldwide. However, the practice

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Intermedia Motion Tracking in AR/VR – On Immersive Storytelling and Choreographic Patterns

According to the KAMC Submission Stream “Performing Arts Practices: Theater, Dance, Music”, we would like to contribute details on our current research project IML – “Immersive Media Lab” (https://research.fhstp.ac.at/en/projects/immersive-media-lab). The project was funded by FFG COIN “Aufbau” and started in 2018 at the St. Pölten University of Applied Sciences under the leadership of Dr Franziska

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The Societal Value of Music in the Xhosa Culture

Traditional music is a culturally crafted and created music of a particular ethnic group, orally transmitted from one generation to another with an unknown creator. In Africa generally, music plays an important part in the lives of the people and one of the major characteristics of African music is that it has cultural function. The

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Peace Comes About in Your Honour’: The Arts, Migration and Reconciliation

This presentation illustrates how a multimodal and transdisciplinary project brings together dance, music, poetry and historical and natural settings, with the ultimate aim of raising awareness about issues of migration. The mixing of Maltese poetry translated into English, with corporeal gestures and movements allows the interpreter of the work to experience and embody social, historical,

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Keroncong Music and Social Identity in Surakarta, Indonesia

This article aims at exploring how keroncong (folk music) musicians construct identity in community contexts. Performing music is not free from contexts rather it authorizes their position and role in that society. Being on stage they want to confirm statuses and validate world-views in public. They intend to present ideals and thoughts in larger settings.