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Ryoka Hagiwara, Heidelberg University, GermanyAbstract
This paper examines the relationship between musical representations of Japan and the concepts of cultural appropriation and appreciation within screen media, including film and television. As global interest in the culture and history of Japan rises, the use of Japanese portrayals and representations in the media becomes more prevalent, raising critical questions about authenticity, respect, and hierarchical structures. I will analyse case studies, exploring how specific music genres, instruments, and compositional techniques associated with Japan are employed and utilised in the media. This includes the use of traditional Japanese instruments like the shakuhachi and koto, the incorporation of J-POP and anime music, and the creation of original scores inspired by traditional Japanese music such as gagaku. Through a critical lens, I will investigate whether these musical representations contribute to a deeper understanding and appreciation of Japanese culture, or perpetuate stereotypes. How are musical signifiers of "Japan" constructed and deployed? What are the arguments on authenticity in their use by non-Japanese musicians and artists? How does the line between appreciation and appropriation shift with context, intent, and reception? By analysing musical aesthetics, cultural context, and audience reception, this paper aims to contribute to a nuanced understanding of the complex relationship between music and cultural representation in the globalised media landscape. I argue that education and critical examination of these representations are essential for cultivating a more ethical and culturally sensitive approach to media production and consumption.
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Conference: KAMC2025Stream: Performing Arts Practices: Theater
This paper is part of the KAMC2025 Conference Proceedings (View)
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