ISSN: 2188-1111 – The European Conference on Arts & Humanities 2024: Official Conference Proceedings
Published on: September 23rd, 2024
ECAH2024 | Onsite and Online from London, United Kingdom
Thursday, July 11 - Monday, July 15, 2024
ISSN: 2188-1111
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Proceedings Contents
1–10
Then and Now: Serbian Students’ Attitudes on Megxit
Biljana Djoric Francuski
(DOI: 10.22492/issn.2188-1111.2024.1)
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11–20
Shades of Emotion: Art as Expression Among Conflict-Affected Students
Lugyi No
(DOI: 10.22492/issn.2188-1111.2024.2)
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21–28
The Intimate World of Alice Springs Portraits
Magdalena Szulc
(DOI: 10.22492/issn.2188-1111.2024.3)
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29–39
The Dynamics of British Counter Terrorism Strategy in the Post 9/11 Environment: An Analysis of Evolution, Prospects and Challenges
Muhammad Iqbal Roy
Farhan Khalid
Shahzad Tufail
(DOI: 10.22492/issn.2188-1111.2024.4)
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41–50
Communicating Social Justice Through the Dance Performance of Amona by Eda Theatre International
Hairat Bukola Yusuf
(DOI: 10.22492/issn.2188-1111.2024.5)
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51–62
Walls, Spray Paint and the Urban Space: The Graffiti Artists of Durban and Their Navigation of Boundaries
Kehinde Christopher Adewumi
(DOI: 10.22492/issn.2188-1111.2024.6)
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63–74
Assessing the Impact of Artificial Intelligence Assisted Software Development Within the Game Industry: A Study of Player and Industry Perspectives
Augustus J. Scarlato III
(DOI: 10.22492/issn.2188-1111.2024.7)
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75–84
Echoes of Creativity: Bridging Pedagogy and Innovation Through a Real-World Design Project
Carla Cadete
(DOI: 10.22492/issn.2188-1111.2024.8)
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85–94
Identity and Subjective Sense of Cohesion and Unity: The Bulgarian Case
Albena Nakova
Valentina Milenkova
Emilia Chengelova
Karamfil Manolov
(DOI: 10.22492/issn.2188-1111.2024.9)
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95–110
Approaches to a Semiotics of Visual Language: Reconstructing Images of the Filipino Superheroines
Rowena Javier-Rivero
(DOI: 10.22492/issn.2188-1111.2024.10)
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111–123
Artistic “License”: Kagan’s Charismatic Dissent in Warhol v. Goldsmith
Lin Allen
Betty B. Brown
(DOI: 10.22492/issn.2188-1111.2024.11)
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125–142
The Impact of Rural Women’s Perception of Gender Roles on Household Food Security: A Study of Women Chama Members in Kakamega County, Kenya
Franciscah Anyona Omukiti
(DOI: 10.22492/issn.2188-1111.2024.12)
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143–155
Sempre Libera: Making Spaces for the Repositioning of Marginalized Individuals and Social Groups
Jovana Stefanovic
(DOI: 10.22492/issn.2188-1111.2024.13)
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157–172
From Studio to Competition: A Qualitative Analysis of a Collaborative Learning Experience
Pınar Dinç Kalaycı
(DOI: 10.22492/issn.2188-1111.2024.14)
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173–183
Verbal Communication Strategies for Recording Eurogenetic (Western Classical) Music
Emre Ekici
(DOI: 10.22492/issn.2188-1111.2024.15)
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185–203
Learning Motivation, Class Engagement, and Academic Performance in Mixed-Grade Classes at Wenzhou-Kean University
Rosalie Palaroan
Du Yirui
Chen Zifan
Lu Jia
(DOI: 10.22492/issn.2188-1111.2024.16)
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205–209
“Too Much Mushkilla”: Sociolinguistic and Cultural Challenges of Ghanaian Migrant Workers in Qatar’s Education City
Al-Hadar Mumuni
(DOI: 10.22492/issn.2188-1111.2024.17)
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211–221
A Systematic Literature Review on Issues of Hospitality, Tourism and Catering Curriculum Development in Ghana Institutions
Abena Sekyere
Sweety Jamgade
Vida Commey
(DOI: 10.22492/issn.2188-1111.2024.18)
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223–235
Emotionalism: Deriving a Movement From a Film, a Lecture and an Interview
Pınar Dinç Kalaycı
(DOI: 10.22492/issn.2188-1111.2024.19)
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237–250
Resident Perspectives on the Transformation of Tangible and Intangible Heritage in the Development of Traditional Villages
Mi Yuan
Zhou Fang
(DOI: 10.22492/issn.2188-1111.2024.20)
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251–266
Sovereignty, Scientific Racism, and Larissa FastHorse’s “The Thanksgiving Play”
James S. Moy
(DOI: 10.22492/issn.2188-1111.2024.21)
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267–277
The Rebirth of Christian Theatre in Nigeria: The Zion Royal Theatre in Perspective
Olumide Oki
Olalekan Olatunji
(DOI: 10.22492/issn.2188-1111.2024.22)
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279–288
Two-Level of Creation
Xingdu Wang
(DOI: 10.22492/issn.2188-1111.2024.23)
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289–300
From Victim to Voice: A Study of Rania Al-Baz’s “Disfigured”
Rasha Osman Abdel Haliem
(DOI: 10.22492/issn.2188-1111.2024.24)
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301–310
Art Intervention’s Role in Emotional Resilience Among Myanmar’s Adolescents
Lugyi No
(DOI: 10.22492/issn.2188-1111.2024.25)
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311–322
Cosmogony – A Philosophical Odyssey: Juxtaposition of the Cultural Legend of the Shukla and Krishna Yajur Veda With Their Upanishadic Literary Genre
Sivaram Sivasubramanian
Rajani Jairam
(DOI: 10.22492/issn.2188-1111.2024.26)
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323–326
PsyAid: The Innovation of Psycho-Education Platform to Increase the Use of Psychological First Aid (PFA) As First Mental Health Response to COVID-19 Pandemic Survivors
Earlene Rundengan
Angelina Kartini
(DOI: 10.22492/issn.2188-1111.2024.27)
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327–334
Should Arts Be Politically Committed? A Case Study on the Criticism of “People’s Justice” Artwork in Documenta Fifteen
Hadiansyah Aktsar
(DOI: 10.22492/issn.2188-1111.2024.28)
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335–343
“The House of Bernarda Alba” by F.G. Lorca: An Online Performance
Anna Tzanidaki
(DOI: 10.22492/issn.2188-1111.2024.29)
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345–354
Mathematical Interpretation of Perspective in a Combine Painting Composed of Multilayer Cuboids
Claire H. Shin
(DOI: 10.22492/issn.2188-1111.2024.30)
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355–364
Fantasy’s Role in Approaching War: A Comparison of Lewis’ “The Lion, the Witch and the Wardrobe” and Barrie’s “Peter Pan”
Elif Yilmaz
(DOI: 10.22492/issn.2188-1111.2024.31)
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