Category: Film and Literature: Artistic Correspondence


Visualization of Social Inequality in South Korea in Bong Joon-ho’s Parasite

Social inequality in South Korea is considered a huge problem that has been rising over these past decades. Known as one of the poorest countries in the aftermath of the Second World War, South Korea’s economic growth soared significantly in the early 1960s through rapid industrialization and export-led development, turning South Korea into a developed


From the Stage to the Screen: The Dancing Body in the 1938 Film Adaptation of Shaw’s Pygmalion

In his 1913 play, Pygmalion, George Bernard Shaw underlines the transformation of the heroine through changes in her English speech. To highlight the metamorphosis of the flower girl, however, most of the later adaptations of the play also pay attention to changes in her manners and movements, particularly by adding the ballroom scene. Moreover, when


Resilience in the Face of an Epidemic: W. S. Maugham’s the Painted Veil and Its Film Adaptations

William Somerset Maugham’s classical novel The Painted Veil (1924) and its three Hollywood adaptations (1934, 1957, 2006) explore a marital crisis set against a cholera epidemic in China in the 1920s. The source text and the film adaptations approach the epidemic from different perspectives, exploring its dramatic potential, metaphorical aspects and an overall impact on


Transforming Families in Chinese Melodrama Under the Influence of May Fourth

One of the most important dates in twentieth- century Chinese history is May 4, 1919. May Fourth Movement is a lasting significant movement that is not just for political demands. It has long-lasting effects on Chinese cultural and intellectual activities up to the present day. Intellectuals in that time were not only asking for political


The Reception of the Weird Sisters in Welles’s ‘Macbeth’ and Kurosawa’s ‘Throne of Blood’

This presentation will focus on the reception of the Weird Sisters of William Shakespeare’s Macbeth (1606) as supernatural beings with power over destiny and nature in Orson Welles’s Macbeth (1948) and Akira Kurosawa’s Throne of Blood (1957). Welles’s and Kurosawa’s receptions of the witches are acts of power in themselves, for the directors decide how


Visions of Postwar Fascism

For Japan, 1960s were a troubled decade, kept between modernization and national identity. Intellectuals as well as Japanese “Nouvelle Vague”’s filmmakers led many protest movements related to a shattered Japanese identity. Some like Wakamatsu Kôji were motivated by revolt while others like Ôe Kenzaburô advocated for remembering in a way to peace. In 1960’s (censored)