Disability and Modernity in Buck’s Works



Author Information

Xiuping Li, University of Tsukuba, Japan

Abstract

The early twentieth century's prevailing stigma against disability—particularly mental impairment—was reinforced by the rise of Social Darwinism and the eugenics movement. This paper examines the relationship between disability and modernity in Pearl S. Buck's works, arguing that her experience as a mother of a disabled child and her concern for disability shaped her understanding of modernity. As the mother of a severely mentally impaired child, disability became an important influence on her literary career, beginning with her breakthrough novel The Good Earth. Buck’s bicultural experiences of disability culture in China and America further informed her unique perspective, allowing her to challenge rigid narratives of modern progress. In Buck’s works, disability is not a static condition but a dynamic force that reveals her complex attitudes toward modernity. This paper categorizes Buck’s representations of disability into three modes. The humanistic mode portrays disabled individuals as cared for within traditional Chinese family structures, as seen in Wang Lung’s mentally impaired daughter and elderly father in The Good Earth. The resilient mode depicts disabled characters who navigate society despite their impairments, such as the half-blind land dealer and the deaf rickshaw passenger in The Good Earth and the hare-lipped servant in Sons. Lastly, the tragic mode presents disability as a source of suffering and marginalization, exemplified by the hunchbacked young man in Sons and the blind girl in The Mother. By analyzing these portrayals, this paper explores how Buck’s depictions of disability reflect her struggles, “inner rebellion,” and a broader critique of Chinese traditions and modernity.


Paper Information

Conference: ACCS2025
Stream: Cultural Studies

This paper is part of the ACCS2025 Conference Proceedings (View)
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To cite this article:
Li X. (2025) Disability and Modernity in Buck’s Works ISSN: 2187-4751 – The Asian Conference on Cultural Studies 2025: Official Conference Proceedings (pp. 361-371) https://doi.org/10.22492/issn.2187-4751.2025.30
To link to this article: https://doi.org/10.22492/issn.2187-4751.2025.30


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Posted by James Alexander Gordon