Abstract
The advent of mixed-media in theatre has revolutionized the landscape of performance arts, offering unprecedented avenues for creativity and engagement. In the Nigerian Christian theatre space, the application of mixed-media in performance is a recent phenomenon being popularised through the recent productions of the Zion Royal Theatre which employs a variety of multimedia elements such as digital projections, interactive screens, and advanced soundscapes to augment the traditional theatrical experience This study explores the integration of mixed-media technologies in Zion Royal Theatre’s production of Festus Dairo's "Alajuwon" an adaptation of Mike Bamiloye's God's Are Dead and Festus Dairo's production of Mike Bamiloye’s Darkest Night to illustrate the use of technological innovations in conveying profound Christian themes and narratives with greater immediacy and impact. The study engages synesthesia perception theory to highlight the active role of technology in manipulating audiences’ perception to ensure effective communication through aesthetic experiences, facilitate immersive and emotive audience experiences, and align sensory engagement with spiritual enlightenment. Based on qualitative analysis and audience feedback, the research emphasizes the potential of mixed-media in engaging contemporary audiences and promoting a deeper understanding of biblical stories and principles. It shows that using technology strategically enhances the sensory experience of theatre-goers and serves as a powerful tool for evangelism and cultural discourse. Furthermore, it contributes to the wider discussion about the combination of faith, art, and technology, suggesting that the future of Christian theatre in Nigeria depends on its ability to adapt and innovate while staying rooted in spiritual and cultural heritage.
Author Information
Olumide Oki, Mount Zion Institute of Christian Drama, Nigeria
Comments
Powered by WP LinkPress