“Screen With a Mouth”: Deconstructing the Narrative Significance of Fourth-Wall-Breaks in Ten English-Feature-Films From Annie Hall (1977) to Deadpool (2016) James Alexander Gordon on 15th January 2026 Author Information Abstract Save as a Favourite Paper Information Conference: Stream: The full paper is not available for this title Comments & Feedback Place a comment using your LinkedIn profile Comments Share on activity feed Post with LinkedIn Powered by WP LinkPress Share this Research PrintLinkedinTwitterFacebookVkWhatsappEmail Post navigation Previous: Previous post: From Fans to Unofficial Translators: Exploring Thai Fan-Subtitle Creators in Japanese Drama in the Digital AgeNext: Next post: Visualizing Sound: Interdisciplinary Collaboration as Artistic Correspondence at Bilkent University Posted by James Alexander Gordon All Posts
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