“Screen With a Mouth”: Deconstructing the Narrative Significance of Fourth-Wall-Breaks in Ten English-Feature-Films From Annie Hall (1977) to Deadpool (2016)



Author Information



Abstract


Paper Information

Conference:
Stream:

The full paper is not available for this title


Comments & Feedback

Place a comment using your LinkedIn profile

Comments

Share on activity feed

Powered by WP LinkPress

Share this Research

Posted by James Alexander Gordon